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Before a certain hedgehog took the world by storm, Sega was still relying on its arcade ports. Gamers weren’t taken by the advertising as well as the company would have liked, but the quality of the games was there. Like e Golden Axe, Sega produced a home version of Super Monaco GP that improved on the original with added modes and features. The World Championship mode is enough to keep players occupied for weeks, and there’s some solid arcade racing in there to boot!
Nowadays, we’re used to massive game compilations that feature tons of games and extras. It wasn’t always so, however, and some early collections were barely collections at all. Take Arcade Classics, for example. Three games – one of which is Pong – doesn’t exactly offer much bang for your buck. This is as bare bones as it gets folks, and yet we’ve taken the time to review it for you. Go play the real versions of Centipede and Missile Command on MAME or in a real cabinet so we’ll feel better about ourselves, will ya?
Normally, you’d think that rolling a shiny metal ball around a stage without letting it fall would make for a great game. The original Marble Madness was wonderful, with its excellent trackball controller and more recently, Marble Blast Ultra on Xbox Live Arcade showed that such a game could work with a controller. But that was long after analog sticks became the norm, and poor Genesis gamers had to suffer with playing on a totally unsatisfactory D-pad. The Genesis port of Marble Madness suffered because of it, among other things, and the resulting effort was poor enough for even creator Mark Cerny to disown it!
Taito has a long history of arcade hits, and the company ported many of them to the Genesis. In addition to games like Saint Sword and Cadash, gamers received an excellent port of Volfied, also known as Ultimate Qix. Challenging and highly addictive, this puzzle/action hybrid offered excellent gameplay wrapped up in some great presentation – a yummy package all around.
The name Rastan means something to arcade goers who are old enough to have played Taito’s classic in the arcades. It was difficult, great-looking, and it’s twin stereo speakers fired off an awesome soundtrack for everyone in the area to hear. Yes, Rastan rocked hard, and for that reason it’s a shame that the sequel never quite lived up to its predecessor. The Genesis scored an amazingly accurate port, but all the bad came over with all the good, and the result is a mediocre product that fails to do the Rastan legacy justice.